Acting - Week 8 - Life is a Dream 2

joelisjoel | acting | Wednesday, May 23rd, 2007

Today Thiago and I did the scene from Life is a Dream.  We had already done it before reading from the text, and today we did it partially off book, but not quite.  We were both into it a lot, and I think that the audience could see it, especially we were pretty good with the expression of restrained anger.

During rehearsal, Thiago made a good suggestion around a certain line that I should change my presentation from being angry to being kind of hurt.  Initially I resisted his suggestion, but on further thought I saw the opportunity to express a different more complex set of emotions and I tried it out.  I’m not quite where I want to be with that line because it’s such a quick change of feeling, but I think I’ll get there.

One thing I want to do more is try to play with space more.  Thiago is a powerful person and he approaches the scene with the idea the that father/king is the dominant person in the scene.  This shows in his body language because he is always approaching and getting into my space to show his dominance.  The only thing about this is that it doesn’t give me any room to play with the distance between us for dramatic effect - in a way this dramatic choice shrinks the stage.

I guess my choice at this point is to either convince Thiago to lay back a little bit, or to take the comfort zone that he’s created and push it even more. 

Acting Week 8 - Life is a Dream

joelisjoel | acting | Monday, May 21st, 2007

Today we acted out a scene from “Life is a Dream” by Pedro Calderon de la Barca.  I played Segismundo, the maniacal son of King Basilo.  Opposite me is Thiago - who is really good as an actor. 

We ran the scene once reading dialogue, once acting out drama silently, and once summarizing the scene.  The non-verbal part was the hardest because this scene doesnt really have much action but is a lot of dramatic speeches.  It will be tricky to do this without making it seem melodramatic.

 

 

 

Relax…

joelisjoel | acting | Monday, May 14th, 2007

During drama class this week we were working on our scenes, and Lili and I progressively got better at breaking down and understanding the scene from Amadeus.  It’s really interesting how the exercise of breaking down each scene into mini-scenes with changing motivation applies to daily life.  People’s goals and motivations change so quickly from moment to moment and now when I’m in a room with people I just watch who listens to who and why.

One interesting thing happened during warmup though.  Florentina asked us to imagine that we were in our childhood bedroom lying in bed, and I became quite sleepy in real life.  It’s weird how imagining that you are tensed or relaxed can produce a similar physical state.  Maybe this is the way for me to get to sleep at night.

Acting - Day 8 - The Birds

joelisjoel | acting | Friday, April 27th, 2007

We were asked today to read a modernization of the play ‘The Birds’ by Aristophanes.  The play describes two citizens of Athens who flee the life in the city to found a city of birds.  This city in the sky is in a strategic position between man and the gods, and the birds exert dominion over both groups in the story.

The imagery in the play was very fanciful and the authors made a good effort to modernize the play.  I was a little put off by the chaotic nature of the plot, bawdy attempts at humor, and constant rhyming.  It was hard to really take the thing seriously and the jokes were hard for me to appreciate.  The ending sort of caught me by surprise, but storytelling techniques have changed a lot in the last couple of millenia.

Acting - day 7 - Cold Readings

joelisjoel | acting | Sunday, April 22nd, 2007

 Today we had a second round of poetry readings in the form of a practice audition.  I noticed how much more serious people were handling the few moments leading up to the reading of the poem, and how important the entry to the room was at establishing a sense of someone’s personality.  For example, some people were extremely nervous and others like Jose were so confident.  The difference in people was striking.

At one point David got up to speak and he delivered his reading in his customary voice which is a little high pitched, strained and thin.  Florentina asked him to repeat it using someone else’s voice and the entire class was shocked by the deep baritone that he summoned.  While the poem and the person moments earlier was tentative, and not to be taken too seriously, with such a slight change David became powerful, interesting and important.

I notice that I have actually at least two voices.  Commonly in casual settings I speak with a head voice that has a high-pitched resonance.   I’m thinking right now that I learned to talk this way from my mom.  When I’m in a meeting or other manly situation though, I can feel a switch to my father’s vocal range.  This area deserves more study.

Later I paired with Giovanni to do paired readings of the introduction to ‘Birds’.   Unlike the poem this situation was easier to avoid the audiences reaction - we had to pay attention to each other and to the words on the page.  But it was hard to do well.  There were so many things to keep in mind - the line, my body language, the characters intent.  What Giovanni was saying.  There was so much going on that we missed the chance to use props to set the scene, and I missed the chance to speak directly to Giovanni and really listen to him.  There’s clearly a lot to learn.

Acting - Day 6 - Spiders

joelisjoel | acting | Thursday, April 19th, 2007

spider

Today we were to have memorized a poem.  I chose this one:

 

a noiseless patient spider

i marked how on a little promontory it stood isolated

marked how to explore the vacant vast surroundings

it launched forth filament, filament, filament out of itself

every unreeling them, ever ceaselessly speeding them

And you o my soul, where you stand

surrounded, detached in measureless oceans of space

ceaslessly musing, venturing, throwing, seeking the spheres to connect them

till the bridge you will need be formed, till the ductile anchor hold,

till the gossamer thread you throw catch somewhere

you, oh my soul

 

 I had planned a little choreography to help keep interest in the poem and to help me remember it.    Although I had no trouble saying it on my own, I forgot the third or fourth line, and then after that the teacher’s phone rang, the door blew open - there were so many interruptions.

Wow - acting is hard!

 

Acting - Day 5 - Zombies

joelisjoel | acting | Monday, April 16th, 2007

 

Today for class we were supposed to read the article called ‘The Empty Space’ by Peter Brook.

Here are a few memorable quotes:

“…for the actor the word is a small visible portion of a gigantic unseen formation.”

“…a play that rehearses for economic reasons for only three weeks is crippled from the outset”

“In theory few men are as free as the playwright.  He can bring the whole world onto his stage.”

“Shakespere used the same unit that is available today - a few hours of public time.  He used this tiem span to cram together, second for second, a quantity of lively material of incredible richness.  This material exists simultaneuously on an infinite variety of levels, it plunges deep and reaches high: the technical devices, the use of verse and prose, the many changing scenes, exciting, funny, disturbing, were the ones the author was compelled to develop to satisfy his needs: and the author had a precise, human and social aim which gave him reason for searching for his themes, reason for searching for his means, reason for making theatre.”

For me these quote are equally appropriate to songwriting and musical performances.

In class, we started with a very interesting exercise.  Some was chosen to begin acting out an activity non-verbally.  When others in the ‘audience’ figured out what was going on - they each joined one by one.  Giovanni began playing cards, which took some time to figure out, but one by one people joined him.  When the group became too large, Devon tried to steal their cash, allowing others to join in as police.  As the event unfolded it became more fanciful with people becoming super heroes, mass murderers and then zombies.

The zombie theme was repeated again during a subsequent exercise and at this point it seemed a little worn.  It was interesting that people chose to act out references from films in these improvisations.  At first I was critical of this, but then I realized that in order to communicate something with motion alone, it’s necessary that the actions be instantly recognizable by the majority of the audience.  Only film has a wide enough reach for this.  Subtle details of daily life would be much harder to get across.

I really appreciated the creativity of my fellow dramatists, though again it was hard for me to keep up in the non-verbal environment.  I need somehow to really develop these non-verbal skills. 

Movements tell such a deep story about who people are.  Tonight I was at a party and I noticed again how boring the verbal/mental conversations were, but people were saying a lot with their body language.  At one point a girl leaned in towards me repeatedly while we were talking about nothing, and I responded to her words and not her movement.  A missed opportunity…

 

 

 

 

Acting - Day 4 - Play

joelisjoel | acting | Thursday, April 12th, 2007

Memorial Auditorium

We spent the first half of class on reading our bios.  It was good to hear what other people had to say about their role models.  I was especially impressed by how many people choose a parent.

After that we started several exercises on play - little schoolyard games almost that tried to get us to let down our guard a little.  The games were physical and fun.  The most interesting was a game where we had to secretly copy someone’s motions without being caught.

At one point we did an exercise where we were supposed to show someone that we were happy to see them, and I had a hard time showing genuine happiness physically.  In fact, I feel like I have a very hard time expressing myself without words compared to the other students.  This was true in the physical exercise.  This is something to watch for and to work on.

Later on I improvised a birthday scene with Lili.  I can remember feeling awkward and self conscious about my body language in an every day situation.  I also admired people who were more creative and off the wall in improvisational story telling.  People came up with scenarios like ‘its both of our birthdays’ and ‘i brought you a cat’ which were good comic relief.

I think the main thing to focus on is this feeling of holding back and not being spontaneous, open and inviting.  It’s really driven from the fear of being judged, but that is so hard to let go of…

 

 

 

Acting - Day 3 - Role Models

joelisjoel | acting | Wednesday, April 11th, 2007

vienna teng waking hour 

For today’s assignment we were asked to pick a role model and write a short biography about the person.

I was suprised how difficult this task was for me.  I remember even a few years ago how I used to have so many role models in different areas of achievement.  I would look up to Richard Feynman or Einstein for their intelligence, or Bruce Lee or Jackie Chan for physical abilities.  I looked up to Bill Gates for his business achievements.

It says something about my stage of life that I don’t really think in terms of these role models any more.  I don’t really strive to achieve success the way it is traditionally defined in terms of strength, wealth, or intellect.  Maybe it’s because I’ve achieved most of what I can expect to achieve in these areas, and for the most part it is enough.

I have to admit that I have had role models that replaced these.  They are mostly musicians and songwriters who can translate feelings into words and music - Vienna Teng, John Mayer, Sarah McLaughlin, Sting, Lijie.  What I admire about them is their musicianship, in some cases their voices, and their ability to create such beauty and powerful feelings out of thin air.

Still it is hard to really call them role models, because when I take a close look at the life of a professional musician, I have to say that it seems like a terrible way to live.  Every day travelling to a different city getting on stage in front of strangers (if anyone bothered to come to the show at all), and playing the same set of ten or fifteen songs, trying to build a following and make enough of a living to be able to stay on the road.  It seems better to keep your day job and approach music and a wonderful pastime.

I recently went to the Sick Puppies show at Slims, though, and I think that my perspective on this is starting to change.  Their performance was so tight and their sound was so crystal that I realized how far my band has to go.  In particular, the bassist Emma Anzai totally shredded and I watched in amazement at how good she was.  It would take a ton of practice for me to reach that level, if I ever could, and in the process I would be paid almost nothing.  And yet that achievement would mean so much more to me than getting the next high-tech job or even being the CEO of a company.

 

Second day of acting class - ‘Ghost’

joelisjoel | acting | Wednesday, April 11th, 2007

eyes

This quarter I decided to take an acting class to help with the band and also to explore the range of emotion and expression that I use in daily life.  During last quarter’s leadership seminar, several people complained that I was a little to cerebral and held back a lot, so I figured that acting might help with this.  A long time ago someone told me that acting was a way to understand life and what it means to be human.  Coming from such a strong background of science and engineering, this is perhaps the very thing that I need to study.

Our first assignment was to bring a poem or lyric and recite it to the class.  We took turns and as I watched the first few people I was struck by how they each took a few minutes to introduce their piece and then their tone changed totally when they went into performer mode.  The afterward the instructor asked a few questions and again they were fairly relaxed and natural.  I decided to try to avoid this, thinking that the performance should start from the moment you enter the stage.  I walked up in front of the class and stood there a momement silently.  At one point I couldn’t resist saying ‘give me a moment’, but in general I think it had the effect I wanted.

The work I chose was the first verse from the Indigo Girls’ song ‘Ghost’:

 There’s a letter on the desktop that I dug out of a drawer

The last truce we ever came to in our adolecent war

And i start to feel a fever from the warm air through the screen

You come gradual like seasons shaowing my dreams

And there’s not enough room in this world for my pain

Signals crossed and love gets lost and time passed makes it plain

Of all my demon spirits, I need you the most

Im in love with your ghost 

Standing there in front of everyone I made a deliberate attempt to make eye contact, which helped engage the audience, but took a little drama away from the work because the words are addressed to a single person - in fact a person who is not present at all.  I took the time between lines to make sure I could let the feeling of the words sink in, and I could feel my voice trembling a little bit, but I wasn’t sure if it was from the poem, or from the nervousness I felt in front of everyone.  Throughout the reading I stood there with hands in pockets in a protective rigid stance, which sort of matched the mood I was going for.  In contrast to the other people who used a lot of gestures and talked with their hands, I don’t think I was that engaging.

Afterward the Florentina asked me about the meaning of the lines and I resisted telling the story behind them.  I didn’t tell her about how songs have the power to show us who we really are, and to awaken parts of us that have been deeply buried.  I didn’t tell the story about how this song brought me away from the world of industry and into the strange and uncertain world of art.  I didn’t tell her about how this song summed up for me all the loss that I felt from an earlier time in my life.

Years have passed since I first heard this song and since I began the journey that it has set me on, and the feelings are not as strong as they once were.  Now it seems I have a chance to redeem myself and fix what was once broken, and yet I shy away from this chance, partly out of fear, or bitterness, or lack of hope.  Reflecting on the song at this later time I realize that it is so much easier to be in love with a ghost than a person, and perhaps I am just choosing something which is easy.